NavList:
A Community Devoted to the Preservation and Practice of Celestial Navigation and Other Methods of Traditional Wayfinding
Re: C+P/Plath History
From: Kieran Kelly
Date: 2004 Mar 20, 10:26 +1100
From: Kieran Kelly
Date: 2004 Mar 20, 10:26 +1100
The statement below in relation to this point is only partially true. "Carl (C.) Plath son Theodor joined Cassens and Bennecke in Bremerhaven to pform Cassens and Plath and produce their own range of sextants. They resemble each other but are definately not identical." At the turn of the twentieth century Hamburg, on the river Elbe, the home of C Plath (named after founder Carl Plath) was the leading seafaring port in Germany. However it was being challenged by Bremen, that other great North Sea port on the river Weser. Plath was at that time the unchallanged leader in the maufacture of nautical instruments on the European continent. However it had always had a difficult relationship with the Bremen shipping companies and shipyards. The firm realised that if it wanted to do business in Bremen, German parochialism demanded that it have an office in that city. In 1908 Theodore Plath was offered partnership in Cassens and Benecke when one of the original founders of the Bremen company - Benecke - suddenly departed. At that stage the company founded by Tanne Janssen Cassens was only 6 years old and was a minnow compared to the whale that was C Plath. It is my understanding that the company was not even an instrument manufacturer but rather a trading company servicing the port of Bremerhaven. Theodore Plath only accepted on condition that the partnership's name be changed to Cassens and Plath. The C + P partnership never had any intention of manufacturing sextants and other nautical instruments. It was simply a vehicle for the marketing of C Plath compasses, sextants and nautical instruments into the Bremen trade. It also acted as a chandlery and repair service for Bremen ships carrying Plath instruments. This arrangement worked until 1962 when C Plath sold out of the partnership and the two companies went their separate ways. It was from this point onwards that C + P began to manufacture their own instruments, no doubt heavily reliant on C Plath designs. It is my belief that if anyone offers you a C + P sextant and claims that it is older than 1962 they are very mistaken. Kieran Kelly Sydney Australia